It almost feels like betrayal;
polite sympathy from the family tree.
Questions like
“Haven’t you had enough therapy?”
As if it’s as simple as
getting enough sleep.
And a sibling’s
unyielding belief
that a republican philosophy
and a pair of steel-toe boots
will save my lazy, secular soul.
So often, I feel backed
into a corner and
put on trial for a
blasphemous crime,
for speaking in a two-tongued
language called
Depression.
I am a flammable plague
inside a porcelain vase,
but I’m trying,
I’ve been trying so hard
to keep it from spilling out
and burning the room.
Jada Yee‘s work has appeared in Poydras Review, The Paragon Journal, The Birds We Piled Loosely, The Sacred Cow Magazine, and others.